How to Create a Patriarchal Pagan Group in 12 Steps

November 16, 2012

Artemis

The bible and the church have been the greatest stumbling block in the way of women’s emancipation. –Elizabeth Cady Stanton

“Creating a goddess-centered group is so hard.” “It’s difficult to honor the divine feminine in a group setting.” “How can we get more women in spiritual leadership positions?”

Variations on the idea that “What we’re trying to do is really hard” predominate when we talk about the patriarchal climate that develops in spiritual groups which start out with the intention of fully honoring the Great Mother. Sometimes turning the conception of the problem around and looking at it from the opposite side can clarify things. What if creating and maintaining a spiritual group with strong female leadership that nurtures women and men is not difficult, but a natural outgrowth of female participation? How then do males and/or patriarchal values come to dominate groups that see themselves as alternatives to patriarchal religion? In this spirit, I present my “Twelve Easy Really Difficult Steps to Creating a Patriarchal Pagan Group.” My purpose is not to make women feel responsible for male dominance or poor behavior, but to frame the goals of feminist spirituality as natural outcomes that take consistent effort to subvert.

1) Place no prerequisites on male participation. Women are often the majority or the exclusive members in a new experimental enterprise, spiritual or not. As soon as the effort becomes established into something viable, the men show up. While Shulamith Firestone sagely observed that “Sex class is so deep as to be invisible,” it is women – who actually experience sexism from the first day of their lives – who are more likely than men to understand that sexism can be hard to recognize. Women entering a goddess group are more likely than men to have read at least a little feminist theory, and of course they have a lived experience of women’s oppression. Men often believe that their own belief in gender equality is enough. Women, trained from an early age not to be “too demanding,” often operate out of a trust that a “nice guy” who “means well” will automatically be appropriate for group membership.

2) Allow a disproportionate amount of group dialogue and decisions to be guided by men. In mixed group discussions women talk only about a quarter as much as men, and men perceive women as dominating the conversation when they speak more than 30% of the time. Men are more likely to seek leadership roles than women. Women need to have a secure sense of their abilities before they take on a leadership role; men not so much. Women’s hesitation to take leadership roles they may not be fully capable of makes sense when you consider the higher amount of criticism woman leaders get from both sexes. Even when women constitute more than half of the group discussion or leadership, having only a handful of men in your organization, with the majority of them in leadership roles or dominating debate, sends a message about the relative value you place on men’s input versus women’s. Sometimes this disproportionate influence of men is seen by women as beneficial, because “We need more men.” Do we? This idea needs to be examined carefully and not taken as axiomatic. The presence of certain types of men may do far more to weaken the feminist principles within your organization than to strengthen the position of women in the world at large.

3) Protect men in the organization from any confrontation by women. At this stage the lioness’ job is to defend the lion from that other lioness, making his potentially hurt feelings the primary consideration. Thus when a woman confronts a man over sexism, she can expect to be attacked by a group of women who don’t agree that it was sexist or think she should have objected in a different manner or know that the gentleman in question is sensitive, gentle, “not a sexist at all” and therefore her confrontation was out of line. The man who may or may not have said something sexist is thus protected from having to dialogue and work things out with the woman who raised the objection.

4) Operate out of the assumption that we are all trying to balance our “inner feminine” and “inner masculine.” The key word here is assumption. The idea that we have both male and female operating within us is a Jungian concept that keeps stereotypic ideas about women and men intact, while allowing flexibility within the individual. It is a dominant view within mainstream Western culture, and people who adhere to it often (unconsciously) enforce this view in spiritual settings. The problem is that not everyone sees humans or society in terms of “balancing the masculine and feminine.” Radical feminists, especially, do not see the world this way. Thus discussions about feminism and the goddess within spiritual organizations go nowhere because people are talking past one another.

5) Operate out of the assumption that escape from patriarchy can only equal equality. This step flows naturally from the last, and it assumes that we have a clear understanding of what equality looks like – rather problematic after 5000 years of Western patriarchy. Many indigenous cultures place female councils in key decision-making roles, without harming or enslaving men. The feminist concept of matriarchy is not an inverted patriarchy with women despots. Especially in religious organizations, where women almost invariably outnumber men, it makes sense to become comfortable with female authority. It is truly amazing the steps liberal organizations will go to in order to keep power out of “too many” women’s hands. The idea of women in charge seems so much scarier than patriarchy.

6) Stamp out sexism – against men! Once a patriarchal concept of equality is established, the next step is to keep the goddess in her place. She must always be balanced with a god. In some cases a goddess is never invoked without a counterbalancing male deity. Ceremonies must have a female and a male leader. There is widespread complaint about the “invisibility” of male witches or priests. The fact that there is a larger and more competent pool of women doesn’t matter: qualifications are only relevant when they keep women out of power.

7) Do not allow women’s issues to have a voice or priority in your organization. It should be a no-brainer that a spiritual group honoring the goddess addresses the abysmal state of oppression that its female members endure. But if Catholics, Hindus and Buddhists can exalt a female deity while furthering women’s oppression, so can we. At this point mention of male violence, when it occurs at all, is met with assertions designed to close down discussion, such as “men are raped too.” The group goes out of its way to remind members that “men are not the problem,” sometimes even replacing discussions of patriarchy with the idea of kyriarchy, which makes women’s oppression invisible. The organization begins focusing its community service on important issues that are perceived as gender-neutral, such as ecological issues or pagan anti-defamation.

8) Pretend the needs of transwomen and female-born women are identical. Women-only groups were not conceived as methods of validating (or invalidating) transwoman feelings of womanhood. One purpose of the women-only spiritual group is to work with a more homogenous female energy, which is completely changed when a male body enters the circle, no matter how that body has been changed by hormones or surgery. Another purpose of women-only groups is to tie women’s spiritual understanding with their bodies. This means celebrating menstruation and menopause, nurturing women preparing for childbirth through shared understanding, and embracing the female body in its natural state. The natural state of the female body does not just include nudity, but an acceptance of what a woman perceives to be her bodily imperfections. Being away from men, male bodies, and those with a male socialization in a female-only group gives women a chance to temporarily express themselves in a safer environment. All of these benefits of women-only groups become moot when people enter who have male bodies and male socializations, however much they may internally reject both. Understand that I am not saying that women and transwomen should never meet in groups excluding those who are male-identified, but to make this an issue of transwoman validation or invalidation obscures the purpose of these groups.

9) Do not sanction any women-only groups. This is seen as a way of satisfying some transwomen who say they feel invalidated when the female-born meet even occasionally in their own groups. Feelings – not facts, goals or needs – are tantamount at this stage, as long they’re not the feelings of the female-born. The argument goes, if some women must have born-female rituals, why can’t they do them completely separate – unadvertised, unaffiliated and far away from any other pagan group? The problems with this conflict-avoidance tactic are that females cannot understand the benefits of a female-only group if they are never exposed to one, they cannot attend a female-only ritual if they do not know that it is happening, and this attitude sends a message that female-only groups are not legitimate. Born-female groups – social, political, and spiritual – are facing an extraordinary amount of abuse in their isolation. They face vandalism, attempts to shut down rented venues, and threats of physical violence. The location of female-only retreats is not disclosed until you pay your $500 or so entrance fee for a reason. Mixed pagan groups have begun denying women-born-female their First Amendment rights of freedom of religion and association. We can go to Iran and have the “right” to practice secretly in a hotel room, and we had the “freedom” to practice clandestinely in the woods during the Middle Ages.

10) Develop a tolerance toward intolerable behavior. It is at this point that truly egregious behavior becomes acceptable in an organization, things like bullying or sex with students or other behaviors that clearly cross acceptable boundaries. The creed of “tolerance” is used to step around the powder keg of sexism that has developed. When sexism cannot be effectively addressed, all kinds of abuse becomes acceptable. Not coincidentally, it is usually young women who are victimized in the deteriorating situation.

11) Identify your villainess. The Woman We Love to Hate plays the important function of facilitating solidarity in an unsafe environment. The villainess can be a member of the organization or a prominent figure outside the organization, or a group of women such as radical feminists or Dianics. Statements about the wretchedness of these women are repeated without elucidation or evidence, and statements, beliefs or practices are mis-attributed to them. This is a tactic that the Christian right plays with Democrats they love to hate. Thus President Obama is a Muslim socialist, and we know this because it has been repeated repeatedly. In fairness to both modern pagans and the Christian right, however, this tactic is as old as patriarchy. The classical Greeks said the Amazon tribes cut off their right breast (or was it the left?), broke the bones of male children, and practiced human sacrifice with abandon. Need I give examples of the pagan Women We Love to Hate? It’s an embarrassment of riches. Pagan organizations that have become sexist to the core need women to villify so they can cast themselves as moderate.

12) Deny that your organization has a problem with women. This puts you squarely with the most conservative branches of Christianity and Islam. Enough said.

I could actually keep going here, but twelve is a nice patriarchal number, what with the twelve disciples and all, and patriarchal paganism gets tiresome very quickly. The good news is that it’s not a matter of creating something different, but getting out of the way so that women’s leadership can flower. We only have to stop working so hard to re-establish and maintain patriarchal paganism.

Hecate and the Waterway

November 2, 2012

White willow. Photo by Willow.

Throughout most of human history, the primary method of travel was via water rather than road. Even in the Ice Age, settlement patterns and artifacts reflect reliance on river trade, sometimes over long distances. Considering the primacy of early water travel, it is not surprising that the route to the afterlife is via river in many cultures.

Water is also linked with birth as well as death, since the fetus grows in a sack of liquid which opens at birth. The moist birth canal can be compared to a small waterway. Water nourishes all animal and plant life. Water is the most basic and important substance of healing.

Water has a special relationship with the moon. The full moon’s influence on the tides is the most obvious, but the moon has a subtle effect on other waterways, including the waters of the womb. While scientists scoff, midwives and others involved in obstetric care firmly believe the full moon is capable of inducing labor. “As the moon empties, so does the womb.” The moon’s reflection on slow-moving rivers and pools of fresh water magically charges the water with the moon’s life-giving energies.

In the northern hemisphere the most ubiquitous tree along rivers is the willow. This tree produces a strong yet pliable bark that is useful for basket weaving. The birch twigs of the witch’s broom are traditionally latched to the ash handle with strips of willow bark. Dowsers generally use willow (or hazel) twigs for divining underground water sources. The willow is certainly in the top five preferred trees for magic wands, partly because it grows along riverbanks and is thus nurtured with water charged by the moon.

Willow catkin
The willow is one of the first trees to reawaken in early spring, and the fibrous blossoms (called catkins) have in bygone eras provided nourishment during this hungry time. Bees also feast on catkins as they emerge from their hives. The most important contribution of willow to humankind, however, is as a medicine. The bark of the willow tree contains an important pain relieving anti-inflammatory substance from which aspirin was originally derived. While aspirin, both synthetic and derivative, is a relatively new arrival, the use of willow bark is documented in early medical texts.

The white willow tree (Salix alba), which produces the preferred bark for pain relief, is native to Europe and western Asia. It is called a “white” willow because the underside of the leaf is covered with silky white down that gives the tree a silvery appearance. This is the tree sacred to the goddess Hecate. She is a goddess associated in classical times with death and travel, and her followers at that time were primarily healers and primarily women. It was once common for Hecate shrines and offerings to be located along roads or at crossroads. As goddess of death she became linked with the dog, while as goddess of the road she became linked with the horse, but Hecate’s worship predates the domestication of both the dog and the horse. I believe she was originally worshiped as Queen of the Waterways in the form of the willow tree. This is how she received her association with healing and with the moon. Her association with death relates to the dark waters flowing quietly back to the source.

Hecate is sometimes called a “crone goddess,” but despite her death aspect she appears as a youthful woman, reminiscent of the pliant willow which alleviates the effects of time on the body. She has dark hair, large black eyes, and luminous white skin. Like her tree she has a large, beautiful and unassuming grace.



Sources

Monaghan, Patricia. The Book of Goddesses and Heroines. St. Paul, MN: Llewellyn, 1990.

Plants for a Future. Salix alba.

Aine at Summer’s End

October 26, 2012

European goddesses often have both an animal and a bird form. Can you guess why Aine’s bird form would be a swan?

Cold and flu season is upon us, and herbalists are writing about garlic, echinacea, mullein, honey, and a host of other beneficial plants. Irish herbalists saw the blessing of the goddess Aine (pronounced ON-ya) as a necessary catalyst in these herbal concoctions. Aine is a fire goddess whose spark makes its circuit throughout the body commencing with every sunrise. Aine often takes the form of a red mare, as in Celtic lore horses are equated with the sun. At Midsummer Aine’s protection for livestock would be invoked by waving torches over animals.

Probably due to her fiery nature, Aine appears in stories as a lustful woman with many lovers. She bore many children, and Irish rulers often traced their family lineage to her. She is said to have a stone birthing chair cut into the side of a mountain. Those who sit in this chair become insane, and the insanity is permanent if they repeat this procedure three times. But insanity can also be cured by sitting on Aine’s chair, so perhaps no lapse of sanity is incurable.

Like many healing goddesses, Aine has a wrathful side. In one legend she curses her rapist by sucking the skin off his ear and depriving him of his possessions. My guess would be that this is based on an older story related to a broken taboo at Samhain (Halloween). Aine also had a legendary father who was cruel to her. After her escape she became a spinner of sunbeams in the forest (another allusion to her origin as sun goddess) where she tutored wives in the art of slowly debilitating their husbands through herbal interventions. I’m guessing that the debilitated husband story refers to the aging process measured by the movement of the sun, as well as Aine’s role as teacher of herbology.

Aine is believed to be the same goddess as Anu, about which little is known aside from her prehistoric monument of twin hills capped with cairns to look like nipples. She has also been equated with Danu, the legendary mother of the Irish gods, which would explain why so many rulers sought to legitimize their reign by claiming to be her descendents.


Sources

Celtic Mythology. New Lanark, Scotland: Geddes and Grosset, 1999.

Matthews, Caitlin and John Matthews. The Encyclopedia of Celtic Wisdom. Shaftesbury, UK: Element Books, 1994.

Matthews, John and Caitlin Matthews. The Encyclopedia of Celtic Myth and Legend. Guilford, CT: Lyons Press, 2004.

Monaghan, Patricia. The Encyclopedia of Celtic Mythology and Folklore. New York: Checkmark Books, 2008.

Neith and the Acacia Tree

October 20, 2012

Acacia trees in Morocco. Photo L. Mahin.

Our tree goddess this week is the goddess Neith (Neit), and her tree is the acacia. The acacia is a small scrawny tree with tiny leaves and pronounced thorns. It has a long fibrous seedpod that is attractive to animals and is often used as fodder for cattle. There are over a thousand trees with the common name acacia, and they grow all over the world in arid climates. One species in northern Africa, probably the tree of Neith, is the Vachellia nilotica, also called the Egyptian thorn or the gum arabic tree. The ancient Egyptians used the very hard wood of this acacia for making tools. The sap, called gum arabic in its powdered form, was used for incense, perfume, cosmetics, glue, pigment binder, and embalming. Gum arabic from a related acacia native to sub Sahara Africa is still used for a variety of commercial purposes, especially the manufacture of candy.

Probably the most important quality of the acacia is its globular, fragrant yellow flowers, which draw quantities of bees. Honey has been a vital food going back to the hunter/gatherer tribes of Paleolithic times. When Egypt adopted a grain-based diet, honey remained important not only as a food of pleasure but as a catalyst in bread rising and fermentation. In the complex Egyptian economy that nonetheless had not developed a metal currency, honey was a medium for paying taxes. Not only was it valuable, but it kept well. Honey was a staple food offering to the gods.
Parakeet feeding on acacia pod. Hyderbad, India. Photo J.M. Garg.


The symbol for Neith is the bee, and the bee hieroglyph can mean Neith, Lower (northern) Egypt, or the ruler of Lower Egypt, depending on the context. Neith is the oldest of the Egyptian gods, the mother of all the gods. It was she who emerged first from the amorphous primeval waters, and she who created the first mound of earth to rest upon. The round yellow flowers on her sacred tree reflect her position as mother of the sun, as does the sun-loving bee. Like many sun goddesses, she is the goddess of weaving, which is why the Greeks associated her with Athena. Neith gave the Egyptians the bandages used to wrap the deceased, and gum from her tree was the adhesive holding the bandages. Acacia resin was one of many substances used as an embalming preservative.

Aegis of Neith. 600 BCE. Photo Rama.
Unlike many creator gods, Neith did not create the world and retreat, but could be relied upon for continued gifts and sustenance. The gods drew on her wisdom in times of crisis, appealing to her for counsel through written messages, which Neith responded to with letters of her own.

In historical times Neith gained prominence as her city Sais rose in influence during the seventh century BCE, but Neith was probably worshiped in Lower Egypt long before dynasties or agriculture, when people still hunted for food. The crossed arrows on her crown probably originated as a hunting emblem, and may also relate to the defensive stinger of the bee and the defensive thorns on the acacia.

Primarily Neith is a goddess of sustenance, engaged in the perpetual creation of life. Out of just one tree she created incense, perfume, wood for implements, seedpods for cattle, pigment binder for ink and paint, materials for embalming and food for bees, not to mention welcome shade in a hot dry climate.


Sources

Barrett, Clive. The Egyptian Gods and Goddesses: The mythology and beliefs of ancient Egypt. London: Diamond Books, 1996.

Clark, R.T. Rundle. Myth and Symbol in Ancient Egypt. London: Thames and Hudson, 1959.
Acacia flowers. Photo Phillipe Birnbaum.


Jay, Lisa and Nessi Domizlaff. Ancient Egyptian Art: The Relationships Among Binders, Pigments and Surfaces, 2005.

Mediterranean Archaeology and Archaeometry, Vol. 11, No. 2. REVIEW ON THE MATERIALS USED DURING MUMMIFICATION PROCESSES IN ANCIENT EGYPT, 2011.

Wilson, Hilary. Egyptian Food and Drink. Buckinghamshire, UK: Shire Egyptology, 2001.

Review ~ Grandmother Moon: Lunar Magic in Our Lives, by Zsuzsanna E. Budapest

October 12, 2012


Grandmother Moon recently became available again through Amazon Createspace. The book is a collection of goddess lore based on the lunar calendar, a wheel corresponding to the zodiac sign for each lunation. There are thirteen sections or “lunations,” each starting with basic information about the moon followed by a contemplation about a goddess associated with this moon energy. There is information about the emotional side of the moon, auspicious activities, a few spells, and descriptions of lunar holidays. The lunar holidays are usually not European but Middle Eastern, Chinese, East Indian, Native American or Mesoamerican. Z explains, “This was my intention because these cultures have preserved their lunar calendars to this day.”

Looking at the section for the upcoming new moon in Libra, October 13–15, Grandmother Moon categorizes it as the “Blood Moon.” Its herb is oatstraw and its animal is the cat. The goddess is the Egyptian overseer of truth and justice, Maat — not surprising since the symbol for Libra is the scale. This is a good time to fall in love and to decorate the home, and the energies of pleasure dominate. In keeping with this, Z offers a spell for physical pleasure. The festivals for this moon highlight the difficulties of incorporating an array of lunar calendars in a solar framework. The Jewish festival of Rosh Hashanah occurred at the last new moon and the Hindu festival of Diwali will occur next month. The full moon festivals occurred the end of September. We’ll have to look ahead to the Mourning Moon on October 29th and the festival of Oschophoria, when the full moon in Taurus will celebrate the ecstatic Greek God of the grapes, Dionysus. Sounds like a wonderful time for a party.

Grandmother Moon is easy to pick up and put away, skim through and read out of order. It seems tailor-made for busy schedules and short attention spans. It has an index, which is helpful. The rituals, which appropriately focus on the emotions, can be done solo. It’s a great book for developing an understanding of moon energies.

Aphrodite and the Myrtle Tree

September 28, 2012

Myrtle in flower. Photo Giancarlodessi.

Our tree this week is the myrtle, sacred to Aphrodite. Myrtle trees were planted in Aphrodite’s temple gardens and shrines, and she is often depicted with a myrtle crown, sprig or wreath. Most people are familiar with Aphrodite as the Greek goddess of love, beauty and sex. Aphrodite is guardian of the gates of birth and death, symbolized by the vagina. As poets well know, myrtle rhymes with girdle, and Aphrodite has a very famous and coveted girdle that she sometimes lends to other goddesses. This is not the modern girdle that restricts breathing; this is a belt tied around the waist that makes the wearer sexually irresistible.

Aphrodite’s myrtle is the Common Myrtle, a small, leafy evergreen native to Asia minor and southern Europe that grows well in dry, slightly alkaline soil. It is not closely related to the Crêpe Myrtle, a tree native to India that was planted in the Carolinas and escaped into the wild, nor is it related to the Honey Myrtle or Lemon Myrtle, both of Australia, which are becoming increasingly important in herbal medicine.

With any tree sacred to a goddess it is important to examine whether it has a special relationship to the bee. Bees were highly regarded by ancient peoples, not only because they provide honey and pollination, but because like humans they live in highly organized communities. Goddesses of love and beauty are likely to be linked with bees, and Aphrodite is no exception. Aphrodite’s myrtle nymphs raised the God Aesacus, god of beekeeping and other cottage industries like olive curing and cheesemaking. Bees flock to the myrtle tree, and as a late blooming tree it is important in honey production. Pollen collected in the spring is used for the hive’s immediate needs, while pollen collected late in the year becomes surplus honey for the dormant period. A portion of this honey is harvested by the beekeeper. Myrtle honey, once important for food and medicinal uses, is an uncommon commercial honey today.
Gold funerary wreath. Greece, 4th century BCE.


You would expect the flowers of the myrtle to be odoriferous, considering its attractiveness to bees, but the leaves and the bark are also highly fragrant. The tree was used in ancient times to make perfume. The leaves and the ripe berries have a strong taste, reportedly similar to allspice, and they were used as a seasoning. This is significant because Aphrodite – like that other love god, Krishna – disapproves of garlic, and other seasonings must be substituted to flavor dishes at her festivals.

The myrtle’s association with Aphrodite made sprigs an important component in bridal bouquets in Victorian times. In some Ukrainian weddings, myrtle wreaths are held above the heads of the bride and groom. In Greece myrtle boughs were used in funerary ceremonies, and the myrtle wreath had a place in the Eleusinian rites, which were an exploration of the mysteries of death and rebirth.

Varieties of myrtle are usually planted as ornamental trees and shrubs, prized for their attractiveness and fragrance. The Common Myrtle is seldom used medicinally today, but classical texts indicate that it was once a standard treatment for a number of conditions. Myrtle is no longer a popular girls’ name, but it was well favored in the 1800’s, probably by mothers with a romantic nature. Apparently parents abandoned the name because the Myrtle girls were subjected to too much rhyming. (Fertile Myrtle has a turtle; jumps the hurdle in her girdle.)

Though the myrtle is not the popular tree it once was, any well-stocked occult store will carry the essential oil or the leaf. Be sure not to confuse true myrtle (Myrtus communis) with oil of Honey Myrtle or Lemon Myrtle, which are different trees.


Aphrodite riding goose, with son Eros holding myrtle wreaths. Date unknown. (Click on thumbnail for larger picture.)
Sources

Graves, Robert. The Greek Myths. London: Penquin Books, 1960.

Plants for a Future. Myrtus communis – L.

Powell, Cornelia. Queen Victoria’s Wedding Bouquet and the Legend of the Royal Myrtles.

Theoi. Flora 2: Plants of Greek Myth.

Weddings at Soyuzivka. Ukrainian Wedding Traditions.

The Sacred Fruit of Persephone

September 21, 2012


The autumn equinox coincides with the start of the major ceremonies of the Eleusinian mysteries. These ceremonies, which in Greco-Roman times attracted a huge number of attendees from all over the Mediterranean, guide participants into a deeper understanding of Persephone’s descent into the underworld.

There are several versions of the myth of Persephone, which is too long to explain in detail here. The gist of it is that Persephone as a maiden goddess or “Kore” is painting flowers in a meadow when the earth opens up and the death god Hades abducts her. He demands that she stay in the underworld with him as his wife and queen and refuses to let her leave. Persephone’s mother Demeter is inconsolable and neglects her duties as mother of vegetation, leaving crops to wither from lack of rain. As the earth becomes more and more parched, the gods become alarmed, and finally the chief god Zeus orders Hades to relinquish his captive. Unfortunately Persephone has eaten a pomegranate seed while in the underworld, and the laws there decree that no one who takes food in the land of the dead may return to the living. Given the urgency of the situation, a compromise is nevertheless reached: Persephone will spend four months of every year in the underworld with Hades and will spend the rest of her time on earth with her mother Demeter. From Apollodorus:

Persephone. Painting by Dante Gabriel Rossetti, 1874.

When Zeus commanded Pluto [Hades] to send Core [Kore] back up, Pluto gave her a pomegranate seed to eat, as assurance that she would not remain long with her mother. With no foreknowledge of the outcome of her act, she consumed it… Persephone was obliged to spend a third of each year with Pluto, and the remainder of the year among the gods.

Persephone’s return to the upper world in February coincides with the lesser ceremonies of Eleusis.

In addition to explaining the fallow period of the agricultural year, Persephone’s myth is believed to be an account of the merger of the Hellenic (Indo-European) pantheon with a much older one. The rape motif in the story underscores that the Hellenic takeover was a violent one that wrested power from women. In the words of Robert Graves, “It refers to male usurpation of the female agricultural mysteries in primitive times.”

The pre-patriarchal Persephone was probably a triple goddess, with the maiden Kore her manifestation in early spring, the mother Demeter her mature aspect, and the queen of the underworld her death aspect. Note that Mediterranean goddesses were rarely depicted as hags or crones, even in their death aspect.

Persephone’s symbols are many, but we are confining our attention here to the pomegranate. This tree, which is native to Afghanistan and surrounding regions, has been cultivated for at least 5000 years. It is probable that the fruit was traded even earlier, since pomegranates keep well and their flavor is enhanced during storage. Pomegranate trees grow easily from seed. They thrive in hot, semi-arid conditions, even in poor soil. After the pomegranate flowers, the burgeoning fruit has a pronounced crown. The fleshy red seeds are sectioned by membranes that are cavernous in appearance. The cave is a symbol of both the underworld and the womb. Red is the color of blood, the womb, and birth. Many ancient people in the Mediterranean and elsewhere painted dead bodies with the red mineral ocher to symbolize rebirth. Of course, seeds also symbolize birth, and the plethora of seeds inside the pomegranate make it an emblem of fertility.

Provocative symbolism aside, the pomegranate is a useful fruit. The seeds have a pleasant, astringent taste that is not overly sweet. The seeds have long been used to treat tapeworms, and the rind can sooth irritated skin. The rind is also used to dye cloth yellow. The sacred trees of major goddesses usually have a long history of generosity to humans.

Illustration by Pierre Jean Francois Turpin, 1835.



Sources

Apollodorus. The Library of Greek Mythology. Keith Aldrich, trans. Lawrence, KS: Coronado Press, 1975.

California Rare Fruit Growers. Pomegranate.

Durdin-Robertson, Lawrence. The Year of the Goddess: A Perpetual Calender of Festivals. Northamptonshire, England: Aquarian Press, 1990.

Graves, Robert. The Greek Myths. London: Penguin Books, 1960.

Lust, John B. The Herb Book. New York: Bantam Books, 1974.






From now until January 1st many people will be using pomegranate seeds in their rituals. The following video shows how to easily seed a pomegranate.


The Broom is Married to the House

September 14, 2012


In pagan imagery, the broom is not just a symbol of witches, but of wives. The Celtic goddess Brigid has among her many functions the charge of housekeeping, and her followers report that they often see her with broom in hand. Women used to leave their broom outside the front door when they left the house, as a signal to visitors that they were not at home. The ordinary broom used for household chores, as opposed to the witch’s ritual broom, is married to the house; when a family moves it is customary for the broom to remain at the house rather than being brought along to the new location.

Many people are familiar with the phrase “to jump the broom,” which means to get married, and this custom relates to the broom as symbol of housekeeping and mature womanhood. The custom of jumping the broom was common on the American frontier when ordained ministers were scarce. A couple might be awaiting their second child before their marriage became official within their church, and the broom served to sanction their union until then. Broomstick weddings were also common among African American slaves, who were denied “real” marriage by slaveholders and Christian authorities. The association of brooms and marriage has antecedents in so many cultures that it is impossible to trace the origin of the custom, other than to say that it almost certainly did not originate in America.

In many pagan weddings today, it is the jumping of the broom, rather than the exchange of rings or the words “I do,” that is the core part of the ceremony. The couple, holding hands or with hands fastened by ribbons, jumps over a broom lying horizontal on the ground. While in the air the spirits of the couple become joined, and when they hit the ground that union becomes sealed in the physical world. Superstitions about broom handles touching the ground suggest that in the older ceremonies the jumping broom might have been elevated or propped against something.

Frigga and the Birch

September 7, 2012

White Birch tree. Photo Willow.

The birch was discussed a few months ago in the series on the witch’s broom, but a whole book could be written about this magical tree. This week we turn to the relationship between the birch tree and the Germanic goddess Frigga.

Trees going by the common name of “birch” belong to the family betula, which abounds in northern climates, though the various species differ in appearance, habitat, and other characteristics. The two species prevalent in North America are the Paper Birch, which produces the material for the lightweight birch bark canoes that were once the predominant mode of travel in the north, and the Yellow Birch, which is known for its highly aromatic leaf buds. Neither of these characteristics are shared by the White Birch or Silver Birch, the two species Germanic sacred lore is based upon. The White Birch is the most northern growing Eurasian hardwood and the only tree found in Iceland. The Silver Birch has the whitest bark of any betula. In some cases it is impossible to distinguish which tree is being referenced, but fortunately the two are very similar, their chief difference being growing habitat. The following discussion will apply to the White and Silver Birch, but one or more of the magical characteristics of these trees can be found in other birches native to North America.

The birch is an attractive tree, often quite tall, that buds early in spring. Deer are dependent on birch twigs during periods of heavy snow, and the inner bark of the tree is edible for humans as well. Birch produces abundant sap that was once used for sweetening beverages. Twigs are traditional material for thatching houses or weaving baskets, and the bark is used for smoking meat or tanning hides. The fragrant wood burns even when wet. Birch is the preferred wood for constructing drums due to its resonance.
The rune Boerc.


The birch tree is believed to dispel evil, which is why participants leaving the traditional Nordic sauna are gently flogged with birch twigs. The household broom was once constructed with birch twigs and witches still prefer birch for their brooms. In Germanic provinces in medieval times, young men would decorate birch trees for the May rites in homage to their lady love. Birch was the favored wood for the Maypole.

Birch bark was often a medium for runic script, and the rune Boerc corresponds to the birch tree. D. Jason Cooper calls this rune one of “healing, regeneration, and the atonement of past deeds” and it is used magically for increasing fertility and aiding childbirth. In divination, Boerc means abundance, possible marriage, stability, and purification.

Boerc is Frigga’s rune. The prose Edda says of Frigga that “she knows the fates of all men, though she speaks no prophecy.” Frigga is known for her propensity for silence, which is another way of saying that she holds the mystery, mistress of truths that are hard to penetrate. She rules the hidden realms, including the realm of the dead.
Silver Birch. Photo Speifensender.


In Germanic lore the most popular death scenario is that half the heroes slain in battle go to Valhalla, the hall of the god Odin, while the other half go to the hall of the goddess Frejya, all feasting in merriment while awaiting the final battle. Those who die of sickness, old age, or other inglorious means, on the other hand, go to the cold inhospitable realms of the goddess Hel. In a competing and less celebrated scenario, the dead go to Fensalir, the hall of Frigga located on a distant sea-island, where they feast in abundance and harmony forever. Frigga is a pre-patriarchal, pre-Indo-European goddess whose inevitable marriage to the chief Teutonic god Odin reflects not only her power and high status, but her rulership of the death realms that Odin penetrated to achieve his status as a shamanic deity.

Cooper asserts that “Little is positively known of Frigga’s worship in pagan times, since the Christians were harder on the goddesses than the gods of the north.” What little has been positively discerned has been pieced together from fleeting references in the many texts penned in Christian times. Other things can be inferred about Frigga, however, from her association with gold, spinning and weaving, and the birch tree. Being goddess of death and goddess of sustenance seems contradictory, but it mirrors the generosity of the birch in winter and summer. The spinning wheel is a common metaphor for the cyclic nature of the seasons, and spinning goddesses are almost invariably spider, snake, or sun goddesses. The gold thread that Frigga spins and the golden tears she cries suggests she is linked to the sun. The qualities of the birch, taken together, are also reflective of the sun. Birch leaves turn striking gold (Silver Birch) or a dark red (White Birch) in fall, and the white branches of the tree are awakened early by the rays of the sun. Remember, too, that birch wood burns unseasoned and when wet, suggesting that the tree stores or contains the sun’s fire.
Silver Birch. Photo Alexey Novitsky.


Frigga ia an important goddess, one that deserves more attention, and every reference to her, tangential as it may be, is filled with messages. I have limited discussion of her here to the places her story intersects with the birch, but feel free to add more in the comments.


Sources

Blount, Martin. “Lady of the Woods – The Birch.” White Dragon.

Cooper, D. Jason. Using the Runes. Wellingborough, UK: The Aquarian Press, 1986.

Gimbutas, Marija. The Living Goddesses. Berekeley, CA: University of California Press, 1999.

The Gylfaginning at Sacred Texts.

Hamilton, Edith. Mythology. Boston: Little, Brown and Co., 1940.

Monaghan, Patricia. The Books of Goddesses and Heroines. St. Paul, MN: Llewellyn, 1990.

Sacred Earth. “Birch (betula sp.) – History and Uses”.