Blame Canada! Blame Canada!

June 9, 2023

Who knew that silly song from South Park would someday be relevant? The preoccupation this week has been poor air quality from forest fires up in Canada. We’re spoiled in the Adirondacks, used to pristine air quality, and I had headaches and burning throat until winds pushed the smoke down-country. The frequent rain here also helped. I plan to resume my outdoor sports tomorrow, weather permitting.

I started wondering about the animals affected by the forest fires. Yes, it’s sad and wrong for animals to suffer from fires caused by human activity, but nature is the cause of many fires, so I reasoned there must be adaptive responses.

Fisher. Photo USDA Forest Service.

Forest fires are a primary method for promoting ecological diversity in western North America. Fires open the forest canopy and allow tree and grass species to flourish, which in turn protects small mammals and provides food for deer. In the Adirondacks, where there is high precipitation, fires are rare (thank Goddess!) and beaver dams and snowstorms open the canopy. Otherwise, the forest composition would eventually become mostly beech and hemlock.

Forest fire affect on animals depends on the intensity of the fire. There are low-intensity fires, where the dry brush and shade-resistant plants are burned away, and the tree trunks are scorched, while the tree roots remain healthy and the taller trees remain standing. The ash from these fires enriches the soil. The high-intensity fires create high temperatures that damage the roots and turn trees into dead snags. The ash produced is toxic to some plant species and most trees do not grow in the area for years or decades. A mosaic fire is a low-intensity fire with pockets of high-intensity heat. This is actually a fine scenario, from the standpoint of ecological diversity.

In a low-intensity or mosaic fire, animals shelter in place. Small rodents go underground, bears climb to the tops of trees, medium-sized animals and some birds appropriate tree cavities, while other birds and deer move to the periphery of the fire. When the fire is extinguished, the animals move back into their territories.

In a large scale high-intensity fire, such as what is happening in Quebec right now, animals migrate quickly out of the affected area. This brings them into conflict with animals in other territories or with humans. The animals cannot move back into their territories when the fires are gone because there is nothing for them there. While some grass cover will emerge, it will take years for the area of a large-scale burn to support diverse wildlife. Large scale, catastrophic fires particularly affect animals that live in deep mature forests such as fishers and goshawks.

I haven’t mentioned the affect of large-scale high-intensity fires on fish. Landslides from denuded forests containing toxic ash slide into waters and kill the fish.

This is a depressing scenario, but the good news is that forests will recover. We humans (not just Canadians) need to become better at preventing this situation, which is mostly the result of our activity.

Hearth’s Revolutionary Dream

February 28, 2020

I traveled to eastern Vermont, to a one of those New England towns where all the bed-and-breakfasts boast about a hero of the Revolution who slept there.

I went into a gift shop and handed the woman behind the counter a rubber-banded stack of brochures for services I offered to the public (not sure what those were), and said to her, “If you’re going to just throw those in the trash, please hand them back.”

But she insisted she would take and distribute them. Then she suggested I browse the gift shop.

I walked over to a display of potpourri and picked up Bernie Potpourri in a little plastic bag stapled to a cardboard closure. It smelled like mothballs. The camphor smell was pleasant to me, though, and I inhaled deeply.

The retail clerk came over to me and said, “Bernie is really about helping old people. That’s his true constituency.” I decided to buy Bernie Potpourri.

**Interpretation**

Early in the primary season, I reluctantly decided I would support Andrew Yang. I hated to support a male candidate when there were many qualified women running, who seemed to actually have a chance of winning, but Yang’s platform was just too good and well thought out for me to ignore. Yang has a degree in economics, as do I, so that’s probably part of why his ideas made sense to me. (Actually, I think Trump also has a degree in economics, but he’s from a different school than I, in so many ways.)

I paid enough attention to the primary to see how Yang did, but I’m tired of this election season already, and I’m not watching debates or keeping up with developments. Of course, there’s really no way to escape it, so subconsciously I probably have been trying to make up my mind who to vote for.

I thought I was probably going to vote for Amy Klobuchar. She’s proven to be a competent legislator, which is important given how hard it is to accomplish anything in Washington these days. I would pick someone like Klobuchar with her limited vision, who can actually accomplish something, ten times over someone like Bernie, who has an attractive vision but hasn’t done much in all the decades he’s been around.

Plus, Bernie’s a dick. He switched to the Democratic Party in 2016 to run for president, then left the Party after he lost, then switched back recently to try for the Dem nomination again. As a registered Democrat, I resent him asking for my vote after that snub.

Also, like most people, I’m tired of his supporters. In 2016 I thought they were sexist, but this time around I’ve decided they’re also racist and homophobic. Mayor Pete is not my ideal, but they’ve been vicious toward him and won’t leave his supporters alone. He is definitely gay, even if he isn’t Queer enough for straights with interesting hairdos. And as for the other candidates being “too white” – what is Bernie? I guess whiteness is something we shall overcome, if we’re woke enough whites. Why didn’t the people making this argument support Yang, or Kamala Harris or Tulsi Gabbard (who is still in the race, I think)?

Yet I think the dream was telling me to vote for Bernie. It didn’t change my opinion of him, but it was telling me that a win for Bernie would be beneficial to me personally. I was gravitating to that mothball smell. The mothballs could apply to Bernie himself, who not only is old but is an old-school social democrat, or it could relate to good ideas that have been ignored for awhile that he would take out of storage. Mothballs could also relate to old people, reinforcing the message from the retail clerk (who was very nice, not like a Bernie supporter at all), that the demographic that would benefit most from his election is the senior one, which I haven’t reached yet but can definitely see from here. It was a potpourri, so there were a lot of unrelated plants being offered, but the camphor dominated.

Another aspect that is interesting is the stack of brochures. It says that I have things to offer that I feel have been rejected, and which people in the Bernie camp – no, Bernie Gift Shop – would value. Sometimes little details in a dream are important, so what about the rubber band? Rubber: flexible. Band: sticking together. Rubber Band: tying things together.

The touristy village where the dream took place is significant, and it says that this election is fundamentally related to the founding of the American government, relating to the ideals we like to think we live up to. But the village was selling access to heroes of the Revolution, suggesting there is another revolution coming. I think it’s interesting that the clerk was female, because the village was pandering access to long-dead men. The suggestion was that despite the sexism, there was something for me here (I guess since I’m also getting old).

Even though I would love to get more feedback on my dream, I’m closing comments on this article. I don’t want to hear more from Bernie Bros, or from the Bernie Bro Handmaidens with their “I suck dick for socialism” T-shirts*, and they can’t resist jumping into all conversations about the election. I’m tired of you guys. Tired, tired, tired. You have made me old and tired. Just go suck some dicks. I can’t wait for the day after Bernie is inaugurated, when you start throwing tantrums about how he betrayed you, by being the conceited old fart he’s been all along.

*I’m not making this up.

Friday the 13th

December 13, 2019

Actually a perfectly fine day. It’s Friday! (Frigg’s Day) The planet for Friday is Venus, the planet of love and friendship. And 13 is a number associated with some lunar calendars.

But if you still want to be spooked, there’s this. I was walking along a dirt road earlier this week and saw this widow-maker. Don’t know if the photo conveys how huge it is. I took this as a divinatory sign to slow down and pay attention.

Samhain 2019

October 31, 2019

I must be the only person in my village who takes a broom to the front porch to tear down the spider webs on Halloween. I like the holiday, including the trick-or-treating, but for me it’s not about terror.

Ghost trees in a flooded field.

Trick-or-treating comes from an old custom of children dressing in rags to signify the poor departed souls who cannot find their way to the Otherworld. Householders would give the children treats to bless and mollify the spirits of the unhappy departed, reducing the chances that they would do troublesome things like emit strange knocking sounds or whisk things around in the wind. This was one aspect of the Celtic holiday, which was about remembering ancestors.

I sometimes wonder how mainline Christians would feel about Easter becoming a festival of terror and evil. After all, Jesus rises from the dead, so that’s a more plausible holiday for a zombie apocalypse. Keeping the spirit of the spirit of Halloween can be a challenge, because I certainly don’t want to be one of those Halloween Scrooges who turn off the lights and pretend they’re not home.

I’m looking forward to tonight. I do like seeing all the children. I get lots and lots of trick-or-treaters, so many that I wonder if some of the teenagers dare each other to come to my house on Halloween. But hey–this witch tore down the spider webs in front of the door.

The Holy Beech

May 5, 2017

In the mature hardwoods of the Adirondacks, the American Beech reigns supreme. It is a majestic tree, stretching 80 feet or more and providing the dense summer canopy of the forest. The wood of this tree is also dense, and the trunk grows straight, with smooth gray bark. In the fall the golden leaves of the Beech offset the bright red of the many varieties of maple that grow here. While the forests at mid-elevation are described as Beech/Hemlock/Yellow Birch/Sugar Maple forests, it is the Beech that predominates the longer an area of forest is undisturbed.

Forest animals from Red Squirrels to Black Bears depend on the fruit of the Beech for survival. The tree produces two small triangular nuts encased in burry shells. The Beech fulfills a core sustenance role for wildlife played by the White Oak in warmer climates. Like the Oak, the Beech hangs on to its dry leaves throughout the winter, letting go only when spring arrives and its long spear-like buds emerge. The leaves are large, oval, and pointed, with toothed edges. This is a long-lived tree which bides its time in the shade for many years, shooting up quickly when a patch of sunlight emerges as another tree falls.

Though nature enthusiasts prize this beautiful tree, the lumber industry is equivocal about its merits. The wood makes beautiful furniture and durable blond flooring, but the trees themselves are susceptible to various diseases which are hard to recognize uncut. Beech is less desirable as cordwood because the wood takes a long time to season. Mostly the trees are left alone, which is just as well since they fill such an important ecological niche.

American Beech can be thought of as the North American equivalent of European oaks such as the English Oak. Both belong to the Fagaceae family, and according to Robert Graves much religious symbolism associated with the oak was transferred from the Beech, partly because the Beech is not found in Mediterranean climates. The European Beech is equivalent to the American in many ways: it is long lived, tall, shade tolerant, and produces the seeds that animals love. The American Beech is a bit fussier about its growing environment, though, and the European grows faster, so if you live in a North American city the beech tree in your neighborhood may not be a native one.

In German folklore the souls of children waiting to incarnate hung around beech trees, so women would wander around beeches to conceive. Beech wood could not be allowed near a woman in labor, however, or she would have a more difficult time with the birth.

Beech has a strong association with writing. Beech wood tablets were once used as a writing surface, particularly for runic script. The smooth bark of living beech trees continues to be used for carving.

Beech is considered conducive to divination, and it is a recommended wood for wands. I suppose it’s used for wands, rather than staffs, because it is so dense. I recently acquired a prime piece of American Beech, and I’m surprised every time I pick it up by how heavy it is. I am intending to use it as a staff, but I doubt I’ll be able to carry it too far into the woods.

Further Reading:

Dana, “Sacred Tree Profile: American Beech (Fagus Gradiflora) – Magic, Medicine, And Qualities, The Druid’s Garden, July 6, 2015. https://druidgarden.wordpress.com/tag/beech-tree-mythology/

Chris Dunford, “Beech: The Most Beautiful Tree in the Wood,” Nature Explored Photography http://www.nature-explored.com/beech-info.htm

Stan Tekiela, Trees of New York (Cambridge, MN: Adventure Publications, 2006).

Frigga and Writing

March 3, 2017

Germane to my post last week on Frigga, here is an excerpt from my forthcoming book, Divining with Animal Guides.

The origin of Germanic writing is complex. Late Bronze Age carvings and cave markings from Northern Italy to Sweden show some rune-like symbols, their meaning undeciphered. Readable runic script dates to the second century and was presumably derived from the Etruscan alphabet, with which it shares some symbols. The god Odin is credited with discovering the runes, eighteen of them to start, when he hung upside down from the world tree, Yggdrasil, for nine days and nine nights. It is essential to understand that runes are not and were not simply signs that could be manipulated to form language, although they certainly were used for that purpose. Runes have always been magical powers in and of themselves. They disclose hidden truths, they protect buildings, they form spells. They are the force behind what words they speak.

Since Odin found the runes while tied to the tree but did not invent them, we have to look deeper for their source. The deities who nourish Yggdrasil are the Norns Urd, Verthandi, and Skuld. They are the Norns we are usually talking about when we say “The Norns.” The Norns water Yggdrasil’s roots from a pool of water at the base of the tree. They are responsible for giving each person their destiny and can reveal the past, present, and future. They are usually the powers invoked when using runes for divination and they are the powers petitioned for changing life circumstances. In addition to tending the tree, the Norns tend a pair of swans who are said to be the parents of all swans in the world. The Norns themselves wear cloaks of swan feathers.

Another Germanic divinatory goddess is Frigga, who knows the future but seldom speaks of it. According to some sources it is she who bestows destiny on every child. Frigga’s distaff is in heaven and the stars revolve around it, which means she controls the calendar. Frigga wears a crown of heron feathers. Her sacred tree is the birch, probably the White Birch or Silver Birch. The white, supple bark of the birch has been used throughout northern Europe as a medium for writing and drawing. Natives in North America used the Paper Birch for similar purposes. Since bark is a degradable material it would be impossible to know how far back symbolic drawing on birch goes; extant pieces from Russia date to the twelfth century. Not much was recorded in Christian times about Frigga, despite her status as nominal head of the pantheon along with Odin, because clerics worked especially hard to erase all traces of her. Those who in later centuries recorded the Norse legends were men who would not have been privy to feminine traditions anyway. While Frigga is not explicitly documented as a writing goddess, information about her points in that direction.

Birch bark writing from Russia, 13th century. This is a young boy’s school lesson.

Is Friday for Frigga or Freyja?

April 26, 2013

Frejya prizes her magic amber necklace. Amber from northern and central Europe is the fossilized resin of an extinct conifer.
Frejya prizes her magic amber necklace. Amber from northern and central Europe is the fossilized resin of an extinct conifer. Photo by Manfred Heyde.
While Frigga’s worship was prevalent in all regions of Germanic settlement, Frejya’s worship seems to have been concentrated in the Nordic countries. This supports the hypothesis that she was a latecomer to the pantheon, her relative prominence a sign that she was the principal deity of an indigenous people.

When Germanic tribes adopted the Roman calendar, the sixth day of the week, which the Romans dedicated to the goddess Venus, became Frejya’s day. Although Venus and Frejya are not terribly similar, Frejya does have the most Venusian qualities of the pantheon. Where Freyja was not the dominant goddess, the sixth day was dedicated to Frigga. The English Friday was clearly derived from Frigga, although in Scandinavian languages the name of the day probably came from Frejya.

Frejya is closely aligned with her brother the boar god Freyr, who is like his sister in many ways, aiding the harvest, bringing wealth and protecting children. While Frejya’s symbol is the vulva, Freyr’s is the phallus, and he was worshiped at a huge phallic monument. Frejya also has a lover, the god Oder, who has a tendency to wander, and Frejya will wander herself in search of him, leaving the earth cold and barren. Frejya wears a necklace of amber which she obtained from the dwarves. She also wears a cloak of falcon feathers and leather tunic and leather leggings. She has a lovely red mouth and is generous with her affection and her possessions.
The line of stars in the constellation Orion known as "Orion's Belt" has also been called Frigga's Distaff. Photo by Roberto Mura.
The line of stars in the constellation Orion known as “Orion’s Belt” has also been called “Frigga’s Distaff.” Photo by Roberto Mura.


Frigga is wife of the Germanic god Odin, who is the chief male shamanic deity. Odin obtained most of his magic by threatening and confronting various goddesses and priestesses. He is no match for Frigga, however, who can always best him in a battle of wits. Before Odin arrived on the scene, Frigga’s principal male deity was probably her son Balder. She doted so much on her son that she extracted promises from every living thing on earth never to harm him. She overlooked the poisonous mistletoe, since it is such an innocuous looking plant, and was tricked into revealing her oversight. Frigga’s loss of her son and their subsequent reunion mirrors the dormancy and regeneration of vegetation. In pre-patriarchal societies, the role of goddesses as sisters and mothers rather than wives is emphasized, since children belong to the mother’s family.

Frigga cries tears of gold when she mourns and has a great love of adornment, wearing precious jewels and a showy crown of heron feathers. She dresses in finely woven cloth. Her spinning wheel revolves in the night sky as a constellation. Frigga is a generous goddess like Frejya, but in one area she is famous for her stinginess: she usually refrains from divulging prophecy, even though she knows everything which is to come.

This is by no means a complete picture of either Frejya or Frigga, but by now a picture should be emerging of two goddesses who can neither be conflated nor made entirely distinct. The best way to get to know them is to take a meditative journey to meet them face to face.

This is the final installment of this series on Frejya and Frigga. Also see an earlier post on Frigga as goddess of the birch. The following list of sources is for the entire series (seven installments).

BBC. “Boar Watching.” http://www.bbc.co.uk/nature/life/Wild_boar#p0087k14

BBC. “Pigs Have Evolved to Wallow in Mud.” http://news.bbc.co.uk/earth/hi/earth_news/newsid_9464000/9464994.stm

Barrett, Clive. The Egyptian Gods and Goddesses: The Mythology and Beliefs of Ancient Egypt. London: Diamond Books, 1996.

Cooper, D. Jason. Using the Runes. Wellingborough, UK: The Aquarian Press, 1986.

Cornell Lab of Ornithology. “Gyrfalcon.” http://www.allaboutbirds.org/guide/gyrfalcon/lifehistory

Gimbutas, Marija. The Living Goddesses. Miriam Robbins Dexter, ed. Berkeley, CA: University of California Press, 1999.

Guerber, H.A. The Norsemen. London: Senate, 1994.

Hopman, Ellen Evert. A Druid’s Herbal of Sacred Tree Medicine. Rochester, VT: Destiny Books, 2008.

Monaghan, Patricia. The Book of Goddesses and Heroines. St. Paul, MN: Llewellyn, 1990.

Ombrello, T. “Conifer Cones.” http://faculty.ucc.edu/biology-ombrello/pow/conifer_cones.htm

Sullivan, Janet. “Picea Abies.” U.S. Dept of Agriculture, 1994. http://www.fs.fed.us/database/feis/plants/tree/picabi/all.html

Taylor, Thomas (trans). “The Orphic Hymns.” http://www.theoi.com/Text/OrphicHymns1.html#15.

Tekiela, Stan. Trees of New York. Cambridge, MN: Adventure Boooks, 2006.

Vikernes, Varg. Sorcery and Religion in Ancient Scandinavia. London: Abstract Sounds, 2011.

Walker, Barbara G. The Woman’s Dictionary of Symbols and Sacred Objects. San Francisco: Harper and Row, 1988.

Walker, Barbara G. The Woman’s Encyclopedia of Myths and Secrets. San Francisco: Harper and Row, 1983.

Gyrfalcon Circling the Spruce: Another Frejya Episode

March 29, 2013

Gyrfalcon. Plumage ranges from dark gray to brown to white and varies greatly. Photo by Omar Runolfsson.
Gyrfalcon. Plumage ranges from dark gray to brown to white and varies greatly. Photo by Omar Runolfsson.

Frejya has appeared to me as a stocky young woman against a backdrop of tall spruce forest, standing on the snow beside the kind of weaving, shallow streams that develop in the north as winter moves into spring. She comes as a spring goddess, evidenced by the height and intensity of the sun. (One of the nice things about a vision is that you can look directly into the sun without feeling pain in your eyes.) When I say she is stocky, I don’t mean fat: her shoulders are broad and she is proportioned like a tall woman. Her rib cage is large, like the stout breast of the gyrfalcon. She has a brown cloak, curling brown hair and glistening brown eyes. Some describe Frejya as blond, but to me she appears in falcon coloring. What those who have seen Frejya mostly comment on, however, is her mouth: a small, very red, well-shaped mouth with lips curved in a joyful yet seductive smile. It is an entrancing smile, a smile that says she knows just about everything. I do not believe that Frejya would have had to have slept with the dwarves to obtain the Brisingamen Necklace; she must have done so only to please herself. To obtain the necklace she would only have had to spread those red lips in the smile no creature could resist. But I digress.

Frejya’s Amazonian proportions and her seductive manner place her in the “maiden” category for those who see goddesses in terms of maiden-mother-crone. Yet the fertile, family-focused boar is usually associated with motherhood, and Norse pagans appear to have regarded Frejya as a benevolent goddess bestowing wealth and favors. Her rune is among the most auspicious, and Cooper describes its divinatory meaning as “Good fortune, fertility, increase in property and success in endeavors.” These are qualities that proclaim “mother.”

Frejya's rune Feoh.
Frejya’s rune Fehu (FAY-who).
The point of intersection between the fir, falcon, and boar is, of course, death. The gyrfalcon is a fierce hunter who winters in the frozen world. The Norway Spruce thrives in cold environments and remains forever green. The boar is also fierce in her own way, and carrion is a major part of her diet. As described in the last post, there are dying and resurrecting gods and goddesses from other European and Middle Eastern cultures with pine, pig, or falcon associations, but we don’t really need these examples to establish the point.

Frejya’s representation throughout the lifecycle suggests an affinity with the sun, which defines the cycle of the year. Her association with both the winter and the summer solstices reaffirm this connection, as does the Yule fire and the summer bonfires. Frejya’s amber necklace represents her command over the sun and hence the passage of time. Those who see Frejya as blond may be focusing on her sun aspect, perhaps dazzled by the brightness of her nimbus. It is interesting in this regard that the Egyptian sun god Horus also takes the form of a falcon.

Although Frejya is a goddess for all seasons and all ages, I want to explore Frejya’s death aspect more closely. I will do so in a later installment of this series.

Frejya’s Three Forms

March 22, 2013

So what does boar, fir and falcon say about Frejya?

Let’s look first at the falcon. Freya’s falcon is probably the Gyrfalcon (JER-falcon), the largest falcon, who likes the northern climates. If she migrates at all, she is driven by scarcity of food, and she will sometimes winter at sea over ice. The Gyrfalcon is the preferred falcon for hunting. She mostly hunts birds, including other raptors, although she will also take small mammals. Other predatory birds leave her alone, as she is fierce. She has a varied hunting strategy and is considered very intelligent. The goddess Frejya has a cloak of falcon feathers reaching to the ground. With her characteristic generosity she loans this cloak to the other gods when they need it to move quickly. Falcons in general are associated with the sun or with death. Other important falcon deities include Circe, the witch who trapped Odysseus and changed his sailors into pigs, and Horus, the Egyptian sun god who avenged the death of his father Osiris and performed an important funerary rite for him.

Boar piglets. Photo by Tiia Monto.
Boar piglets. Frejya and Freyr are brother and sister boar gods. Photo by Tiia Monto.
The boar is the wild predecessor of the domestic pig. While only the male domestic pig is called a boar, in the wild there are boar sows and boar piglets. Boars like most wild animals prefer to avoid people, but both males and sows will charge anything that threatens them. With their huge size and thick skulls they are formidable, even more so if they are adult males with curving tasks. Boars chase away other predators to eat carrion. They are mostly scavengers, digging up roots and grubs in addition to scavenging dead carcasses. Sows prefer to raise young together, and males remain with their mothers until they are full grown. Boars are prolific breeders, something that was never a problem until they became protected in certain areas. The boar has always been preferred quarry for hunters – originally because he provided a great deal of tasty meat, only later because the danger involved provided excitement for sportsmen. The boar was also prized for his dense fur. Frejya often rides on the back of a boar. Her brother Freyr can also take the shape of a boar. Sows in general are associated with motherhood, probably due to their large extended families and high fertility rate. These qualities, plus their generous size, may account for their association with abundance. The crepuscular scavenging and carrion eating habits of boars may account for their being linked with death and the underworld. In both Celtic and Germanic cultures boar was eaten at the winter solstice feasts. Goddesses associated with the boar or sow include the Greek goddess of agriculture and fertility Demeter, the Welsh goddess Cerridwyn in the form of a white sow, and the Continental Celtic goddess Arduinna. The Babylonian god Tammuz, the Egyptian God Osiris, and the Greek God Adonis die after being gored by a boar.

The fir or conifer tree thrives in all but the driest and coldest environments. Conifer forests define “tree line” at extreme latitudes and altitudes, the point where plant growth becomes scrubby. Freya’s fir is the Norway Spruce, which despite its name is prevalent throughout the northern and mountainous regions of Eurasia. Like most spruce trees it is a cold loving tree and it is hardy to the Arctic Circle. It is a particularly beautiful tree that is planted as an ornamental in North America. It grows very tall, 100 feet or more, and typically lives a few hundred years. It produces a nice canopy and is used as a wind breaker. It is a fragrant tree that produces a sweet smelling resin. The cones of the Norway Spruce grow very long, up to 8 inches, and they are quite attractive. The fir’s link with Freya probably comes from the evergreen boughs that decorated halls of feasting during the Winter Solstice observances. These festivities lasted several days or weeks. In a sense, with the great fire, drinking, roast boar, festive attitude, and greenery, Pagans were re-creating Freya’s hall of Sessrymnir, while the dark, cold and frozen landscape outside created a simulation of death. The Norway Spruce used to be the quintessential Christmas tree, although the Scotch Pine works better in today’s commercial environment. Trees in the pine family are associated with winter, rebirth, immortality, strength and sometimes fertility, possibly due to the phallic shape of the cone. Pine has been a preferred wood for coffins due to its association with immortality as well as its availability and workability. Other deities associated with trees in the pine family include the Anatolian Cybele, with her dying and resurrecting lover Attis, the Roman-Persian sun god Mithras, the Greek resurrecting god Dionysus, and the Greek healing god Ascelpius. The pine tree is one of the seven important “chieftan trees” in Celtic druidry, associated with the hero Bran who brought the Irish tales of the isles of paradise in the west.

So this is some background on the boar, fir and falcon. With some reflection you can see how the three fit together to give a deeper understanding of Frejya. I will examine the connection between the three more thoroughly in next week’s post.