I picked up this book at the library and read it to the end, which is unusual for me for a nonfiction book I borrow from the library. I decided to write a review because it seems I’m the first person to crack the book since it was purchased by the library ten years ago. And it’s a useful book for people interested in storytelling.
The Book of Plots identifies nine plot forms which the author argues encompass all stories. Some of these plot forms are unique to oral storytelling; others can be used in writing or cinema. I identified one form that has the potential to be exploited through the Internet; I may write a story for the net someday using this form.
Plot forms are illustrated through stories of the author’s life and through a re-telling of the fable “Jack and the Beanstalk.” Each form structure is conveyed clearly and I had no trouble understanding the author’s logic. The pitfalls of the various forms are laid out, as well as the benefits of consciously choosing the best form for a particular story.
The book could have done with a better copy editor. Typos, word omissions, and grammar errors of the type missed by editing programs detract from the text.
I would recommend this book to anyone, not just professional storytellers, because we all tell stories, and stories are integral to our lives. We all can benefit from learning to tell a better story.
Nature poet Mary Oliver died this week. She was known for her poems about emotional survival and the natural world.
Oliver struggled for years with cancer, but continued to produce. Her last volume of new poetry, Felicity, was about love. Her same-sex relationship with Molly Cook lasted over fifty years until Cook’s death in 2005.
Animals featured largely in Oliver’s work. In 2013 she published a book of dog poems followed the next year by another book of animal poems entitled Blue Horses.
Much of Oliver’s poetry, including her nature poetry, celebrated the resilience of the human spirit.
Wild Geese You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert repenting. You only have to let the soft animal of your body love what it loves. [continued]
As many of you are aware, some heavy eclipse energy this month. (Oh no, not again!) Partial solar eclipse January 5th and total lunar eclipse January 21st. Wait til after the 21st to initiate new projects. Spellwork should focus on removing obstacles and clearing energies. Paradoxically, this may be the time to make progress on goals that have been bafflingly stymied.
On a personal note, progress on my physical therapy has been gratifying. That frozen shoulder is starting to thaw. A good example of eclipse energy manifesting in a useful way!
Shoulder injury continues to heal. Can’t resist sharing this inevitable version of a winter classic. Made to order for the silly season. Greetings from a frozen place, and if the cold never bothers you, you definitely don’t live here.
My surgery for torn rotator cuff and frozen shoulder went off without a hitch. Too soon to crow about success; fingers crossed. I am out of the sling and driving again, which is a big relief.
The Black-Throated Sparrow doesn’t realize she’s in danger.
Pecking between the gravel bits for ants, she knows there are no hawks circling above and no foxes lurking nearby. A snake could be heard gliding along the desert floor in plenty of time to fly away. She is aware of the woman standing a few feet away, but not particularly concerned. When the roadrunner races in, scooping her up without breaking stride, she never knows what happened.
How do Witches and followers of other Euro-shamanic paths interpret animal encounters for which there is no body of culturally specific folklore? Roadrunners are native to the Western Hemisphere and the vast families of sparrows are too diverse to be generalized. The temptation is to plunder indigenous American folklore for direction, but this approach requires caution, as spiritual conceptions among Native American tribes differ widely and may be incompatible with European ones.
An alternative to consulting a book or scouring the Internet for a canned interpretation is to employ a methodological approach. A methodological approach looks at the context in which an encounter occurs as well as the characteristics of the animal herself. Context can be cultural, individual, or environmental. It can apply to a discreet encounter or to a series of encounters. It can be tentative or incomplete, awaiting further encounters for clarification. I call this methodological approach to interpreting animal signs the Universal Approach to Divination.
Applying the Universal Approach to the introductory scenario, we have a predator-prey encounter. Which bird the woman observing the kill identifies with depends on her personality and life situation. Let’s suppose she feels drawn to the roadrunner and has been observing this bird for awhile.
Greater Roadrunner. Photo: PhreddieH3The Greater Roadrunner is a large desert-dwelling bird native to Mexico and the American Southwest, about the size of a raven. She has pronounced tail-feathers and a scruffy crown. She flies infrequently, mainly short distances to access nesting sites or to escape predators. Her preferred mode of transportation is bipedal, and she can run 15 mph or more, faster than a human. The placement of the toes, two in front and two in back, forms an X print that makes it challenging to decipher when tracking which direction the bird was traveling. Encountering roadrunner tracks might signify a confusing upcoming situation where you “don’t know if you’re coming or going.”
The scraggly roadrunner can devour large prey such as rattlesnakes by banging the reptile’s head against a rock. Meeting a roadrunner with a venomous animal in her beak might signify a thorny problem ahead requiring resourcefulness.
Sometimes roadrunners hunt in tandem. Like most birds, roadrunners form long-term monogamous bonds and cooperate in nesting and rearing chicks. Two or more roadrunners together might signify a cooperative endeavor.
Most people are familiar with the roadrunner through the Wile E. Coyote and Roadrunner cartoons, which feature a hapless coyote attempting to prey on a roadrunner who continually outwits him. While in reality a roadrunner is no match for a coyote, in popular culture the roadrunner represents the triumph of the underdog by virtue of ingenuity. The cartoon roadrunner emits a beep-beep sound like a car horn, an allusion to the bird’s name bearing no resemblance to the actual call. The sound a desert wanderer is most likely to hear from a roadrunner is a rapid bill-clicking territorial burst reminiscent of light machinery. The characteristic clicking might be analogous to a car horn telling you, “Heads up! Be alert!”
Black-Throated Sparrow. Photo: Kevin ColeSo how to interpret the opening scenario? If it is the latest in a string of encounters, it may signify another characteristic of this fine bird the woman who observes the kill is working to emulate. Taking this discreet encounter on its own, a possible interpretation is of a chance at a choice acquisition in the near future, perhaps some easy money with no down side requiring no deviation in plan. It may require speed and decisiveness, key roadrunner traits, but little else.
Unless of course the woman identifies with the Black-Throated Sparrow. Then it’s a different bird altogether.
Bill clicking of Greater Roadrunner (Bob DuHamel)
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